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“Hoghe moves with economy and care, gently yet fiercely; every motion is pristine, inundated with dramatic import. Ueno is supple, mild, in a position to leap with visit our main web site abandon one minute also to explain patterns that are delicate their fingers the second.” – The Latest Yorker

Raimund Hoghe is undoubtedly one of several pioneers of party dramaturgy so that as an musician, is just a vanguard that is true of party in European countries, challenging traditional notions of this human anatomy and beauty in party and culture through works that are “concentrated exams of humanity”. Their decade-long partnership with Pina Bausch is actually referenced as a crucial collaboration from a choreographer and a party dramaturg, and something which had a substantial effect on dance-making today.

For Hoghe, going onstage is taking on film manufacturer Pasolini’s terms to “throw the human body in to the fight”. Revealing and doing together with very own uncommon framework, Hoghe masterfully disrupts our problematic criteria of human body excellence that he thinks equate people towards the status of design items. The bodies in his work are not only physical and personal, but unfold to become complex spaces that reflect on history and culture beyond this statement of visibility.

In Pas de Deux, Hoghe is joined onstage by one of his true regular collaborators, the Japanese dancer Takashi Ueno. A series of delicate interactions around quintessentially everyday objects of Japanese culture, imbuing them with layers of meaning with subtlety, humour and an eclectic profusion of jazz, classical music and poetry, Hoghe structures. Delicate and mild movements, marked by ritual and deep peoples connection, expand right into a cathartic resonance of the time and beauty.

Bearing a title that alludes to virtuosity that is balletic this minimalist duet is rather a meditative discussion of movement between two contrasting real figures, and a thought-provoking discussion between these various internet internet internet sites of memory and history. This performance marks an uncommon and appearance that is first of in Singapore.

About Raimund Hoghe Raimund Hoghe came to be in Wuppertal and started their job by composing portraits of outsiders and a-listers when it comes to German weekly newsprint Die Zeit. We were holding later on compiled in many publications. From 1980 to 1990 he worked as dramaturg for Pina Bausch’s Tanztheater Wuppertal, that also became the matter that is subject two more publications. Since 1989 he’s got been focusing on his or her own theater pieces for different dancers and actors. In 1992 he began the artist Luca Giacomo to his collaboration Schulte, that is nevertheless their creative collaborator. In 1994 he produced their first solamente for himself, Meinwarts, which with the subsequent Chambre separee (1997) and Another Dream (2000) comprised a trilogy regarding the century that is 20th.

Hoghe usually works well with tv on tasks such as for example Lebenstraume (1994) and Der Buckel, his 1997 hour-long self portrait for WDR (western German Radio and tv). Their publications have already been translated into a few languages and then he has presented their performances all over European countries, along with North and south usa, Asia and Australia. He lives in Dusseldorf and it has been granted several awards like the Deutscher Produzentenpreis fur Choreografie in 2001, the French Prix de la Critique in 2006 for Swan Lake, 4 functions (when you look at the category « Best Foreign Piece »). Experts through the mag ballet-tanz awarded him « Dancer of the » for 2008 year. Publications about his theater works had been posted in France, Germany, britain additionally the united states of america.